Okay, so here’s a comment I’ve had, in various permutations, from some of the contest judges who’ve read my first 25-30 pages and synopsis. It goes like this:
The conflict in GOTH is too weak to sustain a full-length book because there’s a Big Mis.
In a way, they are right. Yes, there is a Big Mis. And if it were the sole source of conflict, it would indeed be insufficient to sustain a whole book. In actuality, this particular misunderstanding only persists for less than 1/3 the book, and there’s plenty of other stuff going on meanwhile.
So first – I realize my synopsis is failing to adequately communicate the nature of the Big Mis, and the fact that their misunderstanding is a symptom of their conflict, rather than the cause. Yes, in the end, it’s a conversation and “I love you’s” that make for an HEA – but they can’t have that conversation until they each work through their own internal conflict. They’re misunderstanding each other because they’re misunderstanding themselves – their strengths and worth as individuals, their capacity to love and be loved. I have to work on revising my synopsis to reflect this, which shouldn’t be too hard.
Second – The synopsis could evidently do a better job of reflecting the tone of my book. The Big Mis is but one of many absurd plot devices in GOTH. The entire plot depends on a series of misunderstandings, ill-timed interruptions, and strange coincidences. My intention was … Read More »